According to Cormack

As reflected in his painting Hay Wain, Constable had naturalist concerns as comp bed to the more quixoticist cistrons of Turners cream, as exemplified in his painting The knuckle down Ship. Constable do all the efforts towards rebellion against the cultures of the artists in the application of conception for the purpose of representation of their art in favor of nature.He stresses the need to immerse having seen any picture in the process of making a sketch. His studies are based on the spot of action in contrast to following(a) any formula. According to Cormack, The world is wide, no twain geezerhood are similar, nor even two hours neither were there ever two leaves of a tree alike since the creation of all the world and the legitimate productions of art, like those of nature, are all distinct from each former(a). (Cormack, 2006).In par to the reverse of Turner, he had a less extensive range as well as aspirations. The most suitable rendering of Constable is a natural ist which through his correspondence, he has successfully as so. However, the stylistic commixture of Constable is marred with instability with regard to the perception of the constituent of nature. hike the sites intimately known to him have been the focus of his paintings.There is no strict singularity of the indisputable approach of Constable in as far as the concern of the local scenery is concerned. This is evidenced by the participation of the coetaneous artist of the Norwich as well as the conformation to the work of doubting Thomas Christopher, who is an artist of 1777-1843 (Fleming-Williams, 2006). The common practice is the application of oil to sketch from nature.Turner has made his contribution to in the establishment of a landscape to represent a historical painting although he widely disputes the idea. The single mindedness of Constable is responsible for(p) for the portrayal of site of limited range in a bizarre way producing unprecedented oil sketching of a bri lliance capacity (Fraser, 2006).On the other hand, Turner has a subjective reflection that surpasses far beyond the romantic contemporaries that he possesses with the capacity to foreshadow an image in annihilation in a painting of the 20th century. According to Bailey, the best translation of the work of Turner is airy vision painted with tinted steam (Bailey, 2007).As has been portrayed in the Slave Ship in an instance that a rendering is offered of the sharks following the striver ship in fight downion to a storm. The sharks react to the scent crowds that steam due to rank dioceanses as well as death.There is also an existence of a realistic event involving a slave ship captain dumping human cargo in the sea as result of a disease outbreak below decks. The work of Turner has a clear demonstration of romanticism elements through the physical exertion of disjoint diagonals. The consequence is composition fragmentation (Kelder, 2000).Turner, the terrific creator had the volta ge for the application of unique invention for the purpose of liberating color from line definition for the purpose of the expression of the natural forces for the purpose of its unity to the stirring receipt of the artists.This leads to uniting emotions reality to the color reality. Used as an abstract media, the work of Turner was associated with unpredictable effects. This is seen in the nature of ultimate painting element evident in his innovations due to the emotive as well as aesthetic strength of his application of pure color (Leslie, 2005).